Get ready for some full transparency. How much an agent should be charging you, at what percentage, and when.

Advice on query letters: personalization, comp titles, submission strategy, and more!

Query smart by making sure you’re targeting agents and editors who want what you’re writing.

One of the most difficult experiences for an author is changing literary agents. Sometimes, as much as many hate to admit it, seeking out new representation becomes necessary. If a relationship between an author and their agent isn’t productive, it can often be worse than having no agent at all.

Query rejection hurts. You’re putting your shiny new novel out into the world, just for people to say “no, thank you.” Here are some of the best ways to deal with a query rejection.

Benjamin Roesch joins us to talk about his debut novel—but not his first novel—published with LGBTQ+ young adult indie publisher Deep Hearts. We talk about turning short stories into a novel, coming of age fiction, and being an older debut writer.

One query letter sent to the right agent … and an offer of representation comes your way! Of course we writers stress about our queries. We’ve poured so much into our manuscripts, and we only get a few hundred words to pitch them! Let’s go over the elements of a query letter to improve your chances of getting that wonderful phone call one day.

Decades-long agent, Rachel Orr, talks about real life clients as she shares what agents and editors are looking for, what to include in your query letter, and how to challenge the status quo.

Insights from industry veteran Chuck Sambuchino on how to become a well-informed writer, build a platform, and get published.

Typing “the end,” either literally or figuratively, after spending many months on a project is worthy of celebration. The logical next step is querying. But before you begin to query, there are some critical steps to take.

Communicating with literary agents is an important part of the querying process. Here are some communication do's and don'ts that'll give you the best shot at receiving a response to your query.

Many writers struggle with how to deal with negative criticism. Not all writing feedback you receive in your lifetime will be “constructive criticism”. Some of it may feel like straight-up criticism criticism, or worse, destructive criticism. Ouch! Here are some thoughts on bouncing back from a devastating writing critique, and what to do next.

Coming up with the dreaded comp titles for your query letter or elevator pitch doesn’t have to be a chore. Here’s why you need them and how to make looking for them (a little) more fun.

You’re ready to take the next step, but manuscript submission can feel overwhelming. (Am I the only one who hadn’t heard anyone use the word ‘query’ in a hundred years before entering publishing?) Let’s take a zoomed-out look at what manuscript submission is and look at some resources that can help you with the process.

CEO of independent publisher Girl Friday Productions Leslie Miller talks all things publishing, marketing, and building your platform as an author. She discusses the differences between traditional publishing, self-publishing, indie publishing, and hybrid publishing, and how to know which option is right for your project.

Negative feedback can be confusing and hard to hear. Turn what feels like “no” into a mission to “go”!

It may seem weird to talk about failure and rejection in writing context as a good thing. But I really want to help you reframe it, because the actual writing journey is rather long. If you don't enjoy the actual writing process, you're gonna have a tough time because there is so much rejection and failure inherent in that journey.

One way you might think about how to write a query letter is as a cover letter. It has its own rules and formatting for the literary world, but essentially you are pitching your project to your potential employer. So, what are the rules? How do you start?

If you have spent any time on the submission trail, you will notice that there are manuscript length guidelines for manuscripts that you may want to submit, and they are very category-specific. Here’s a run-through of children's books guidelines to get you started.

Writers are usually advised against braving the publishing world without an agent to represent them. Yet, unagented submissions exist for a reason, and there’s a time and place when they work—when they might even be the best option.