Premise Vs Plot
The concept of premise vs. plot is a common stumbling block for many writers. They’ll think they have a killer idea for a manuscript lined up, but when they sit down to write, the energy fizzles out partway through. Why isn’t a great idea enough?
Raising the Stakes
Raising the stakes is a great way to sew tension in your story, and fear of failure is something everyone can relate to. The constant battle between running toward the goal while running away from the alternative will keep readers engaged and invested in your characters. Know how to identify your stakes and when to make them bigger.
Write What You Know
“Write what you know” is common advice, but it can feel like an attempt to limit creativity. You write to discover new places and understand different points of view. If you only write what you know, how can you write about what you don’t know?
Help! I’m Stuck in the Muddy Middle!
Most times we can see where our story begins and where it ends, but it’s the muddy middle where we get stuck and face writer’s block. Here are some tips to get you out of the sludge and moving again.
Craft a Killer Fantasy Premise Using Good Versus Evil
A fantasy premise that doesn’t engage on any themes of good versus evil can feel empty, but when those lines are too stark, it can feel a bit thin. So how do you find the balance?
How to Write Active Dialogue
Writing dialogue is tricky. It seems like it should be the simplest part of the process, because we’re all familiar with what conversations sound like. There’s a difference, though, between a conversation you might have and how to write active dialogue in your story.
Story Physics: Reaction Beats
Newton’s third law says every action will have an equal but opposite reaction. This is true in stories, too … or at least it should be. How do we get to know characters, even as they flit from one conflict-ridden chase scene to the next? Through reaction beats.