Book Marketer and PR Coach Emily Enger joins Mary to talk about some of the aspects of the writing process that might leave a yucky taste in our mouths. Tune in for actionable tips and insights into a publicist and marketer's side of the publishing world.

What's a lead magnet, and how can it help you establish your career as an author? Get valuable insights on creating an effective lead magnet, building your email marketing list and engaging potential readers.

If you're a non-fiction or memoir writer, here's essential advice on how to map out your path to a book deal.

Communicating with literary agents is an important part of the querying process. Here are some communication do's and don'ts that'll give you the best shot at receiving a response to your query.

Debut middle grade author Rebecca Ansari chats with Mary about the journey from aspiring writer to published author, MG craft insights, and what new things she has in the works!

Many aspiring writers hope to quit their day jobs so they can pursue writing for a living, but is this a realistic goal? Here's an overview of what to expect if you want to pay the bills with your writing.

Author and former assistant professor of creative writing Leslie C. Youngblood joins Mary Kole on the Good Story Podcast. She shares her journey through her MFA program, gives tips on crafting interesting character relationships, and weighs in on one of the hottest questions for authors today: traditional or self-publishing?

Writer, writing teacher, ghost writer, and general literary icon Roz Morris joins Mary Kole for an interview on the Good Story Speaker Series. They dive into the mechanics of storytelling and discuss how to connect with your audience—whether you're writing someone else's story or your telling your own.

Award-winning writer and ghostwriter Kelly Madrone joins us to talk about writing as someone else, modulating a professional potty mouth, and how to create a nuanced story arc in memoir.

Publishers can pay people. The upsetting thing is who they choose to pay, how they choose to pay them, and whatever calculus they've used to arrive at those decisions doesn't seem equal. This is going to be a hard ongoing conversation, but a necessary one.

Should you post your writing online to attract attention? What are the risks and benefits? Learn all about posting writing online with this video.

A short, information-packed writing class on what readers want. It's simple. By thinking about what readers want from their stories, writers can harness the power of reader emotion to write amazing stories, novels, screenplays, picture books, poems, and more.

How do you have a career in publishing? This is the question on a lot of minds. Do you have to move to NYC? Do you have to be incredibly lucky? Learn how to have a publishing career with this video.

Allow yourself to dream big. What does that look like for this project or for yourself as a writer? Some writers want movie adaptations, or to write a New York Times Best Seller, but a lot of people just want to keep writing.

It may seem weird to talk about failure and rejection in writing context as a good thing. But I really want to help you reframe it, because the actual writing journey is rather long. If you don't enjoy the actual writing process, you're gonna have a tough time because there is so much rejection and failure inherent in that journey.

Publishing loves its buckets. In children's books, there are several buckets that you need to fit into, with word count guidelines and all of that. There are buckets and tropes in adult publishing as well. Books that don't lend themselves easily to categorization can be a really difficult sell.

It's a weird thing to think of yourself as a character, but it’s something people have noticed a lot in modern memoir. The character in a memoir has trended more and more relatable, more authentic. I think that’s a good thing, but it is also challenging because it asks a lot more of the writer who's writing the memoir.

This is a conversation for a little bit more of an advanced writer. I'm going to talk about the components of what goes into a book that is likely to sell, is likely to attract agents, publishers, eventually readers, right, which is what we want.

Thinking about finding another literary agent? Here are some tips to help smooth the transition.

You have an offer of representation from a literary agent--now what? Here are some crucial questions to ask before you sign on the dotted line.

If you want to pursue traditional publication, you need to think about writing for an audience. Here are some thoughts on work that's billed as "completely unprecedented"; following writing trends; and writing for "everyone from 0 to 99."

There are so many paths to publishing--what's the best fit for your project and career goals?