Join Mary Kole and Sara Zarr as they talk about the complex realities surrounding publishing and becoming a career author within a rapidly shifting YA and Middle Grade marketplace. Sara Zarr brings insight and personal experiences to surviving the sudden and drastic changes within the YA marketplace.

An active protagonist drives the story. Meaning? Your main character should want specific outcomes and fight for them. That’s where the conflict in the story comes from: everything that fights back. For tips on activating the hero of your story, read on.

If you’re writing a picture book, how should you handle illustrations? Let’s compare illustrating your own manuscript, finding another illustrator, or leaving it to the publisher.

One query letter sent to the right agent … and an offer of representation comes your way! Of course we writers stress about our queries. We’ve poured so much into our manuscripts, and we only get a few hundred words to pitch them! Let’s go over the elements of a query letter to improve your chances of getting that wonderful phone call one day.

The opening line is your first opportunity to make an impression and entice your readers. You should want the opening line to work for the story and be meaningful, but at the same time you don’t want it to do too much. Here’s how to find that balance.

Mindy McGinnis, mystery, suspense, thriller author and dog haver, joins the Good Story Podcast to talk about her upcoming work with James Patterson, shit-shoveling, book snobbery, and showing characters' humanity.

Think twice before you moralize in your book. Ditch "sharing is caring!" and go for a more nuanced message. Here's how.

Writing female characters can be harder than you expect, as a writer, but it’s important to get right. There are some blind spots that many of us—men and women alike—have when it comes to crafting compelling female characters.

A conversation about "The Emotion Thesaurus" as well as writing tools in general and whether human input can ever be replaced by tools.

One of the most difficult parts of submitting a manuscript or query to an agent or publisher is figuring out how to write a novel synopsis. That task is different every time and for every book. Just like the task of writing each book is different and calls upon different skills, crafting a synopsis for each manuscript is different, as well.

Decades-long agent, Rachel Orr, talks about real life clients as she shares what agents and editors are looking for, what to include in your query letter, and how to challenge the status quo.

Thinking about a “target audience” can sound cold and impersonal, especially for writers who are pouring their hearts into a manuscript. After all, it’s not like we’re lining readers up, eyeing the red circles painted on their torsos, and lobbing our books at them. Or are we?

If you’re a book nerd like us, you’re always on the lookout for books to read. Doesn’t matter that the TBR stack is out of control. To stay up to date on fresh new reads, we invite you to join our Good Story Book Club!

NYT Bestselling young adult and middle-grade author Jonathan Auxier joins Mary Kole to discuss visual writing, worldbuilding, and how different media use dialogue to create action.

Raising the stakes is a great way to sow tension in your story, and fear of failure is something everyone can relate to. The constant battle between running toward the goal while running away from the alternative will keep readers engaged and invested in your characters. Know how to identify your stakes and when to make them bigger.

A conversation with Kilby Blades (author of romance novels such as The Gilded Love series) about self-publishing, writing diverse, feminist characters, and changes the traditional publishing industry needs to make in order to be an inclusive space for writers of color.

If you’re a beginning writer, you may be wondering how to organize your writing. Working on a novel means you’ll have lots of bits and pieces to keep track of: character and setting notes, plot outlines, reference photos, versions of your manuscript, notes to yourself, quotes and inspiration to keep you going when the going gets tough...yikes!

An enticing query letter can be your foot in the door with an agent or publisher. Here are the elements to include in a strong query letter for a picture book.

Insights from industry veteran Chuck Sambuchino on how to become a well-informed writer, build a platform, and get published.

Typing “the end,” either literally or figuratively, after spending many months on a project is worthy of celebration. The logical next step is querying. But before you begin to query, there are some critical steps to take.