When done well, rhyming picture books are snappy, quotable, and fun to read. Children retain the words more easily and begin to identify patterns and sounds: a real treat. The problem? Writing a good rhyming picture book is much trickier than it looks.

You’ve probably written a plot outline for your story, but have you written a character development outline? Here are some tips for developing character arc so your character development is as tight as your plot.

Picture books are so fun to read aloud! Readers can play with the volume, pitch, and inflection of their voices to give the verses maximum effect.

Your character names and made-up words should add meaning to your story. Here are five tips for picking names and creating words that enhance your story world.

Strong character development arcs make better stories. Here are some tips on writing characters that readers will connect with and root for.

How do you write shy characters? Shy people often have rich inner worlds that are teeming with life; they’re just selective about who they let inside. Here are a few ways to help you show your shy character’s true nature.

One question many writers have when they begin work on a novel is how to write a compelling protagonist and antagonist. These are vital roles to function well in a manuscript. How do we make sure they leap off the page?

If you’re interested in writing a children’s picture book that uses fantasy elements to engage readers in a meaningful way, then you’ve come to the right place. In this post, we provide four tips on how to write original, highly engaging fantasy picture books that stand out!

If you’re an author/illustrator in the picture book business, you probably feel like you’re at an advantage. While there is value in being able to create an entire work on your own, I’d like you to imagine not using your words. What does it look like to create wordless picture books?

Story ideas don’t always come easily, but sometimes we get glimmers that turn into a list of foggy ideas. How do we decide which new idea to run with? And how do we take steps to make it shine?

Newton’s third law says every action will have an equal but opposite reaction. This is true in stories, too … or at least it should be. How do we get to know characters, even as they flit from one conflict-ridden chase scene to the next? Through reaction beats.